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On Being Japanese American...
By Nicole Sumida
Growing up in the 1970’s in Chicago’s near west suburbs, there were
few people like me. In fact, my sister and I were the only half Japanese, half
Swedish/German girls on our block (or in our community for that matter). Most
people thought I was Chinese and it didn’t take long to realize that “chink” was
not a friendly word. As a kid, I gravitated towards the “others”,
the few kids in the neighborhood who were Puerto Rican, Mexican or who just didn’t
fit in. Despite being isolated from other Japanese or other Asian Americans,
I always identified more with being Japanese, probably because of my appearance
and my close relationship with my mother, who was born and raised on the Big
Island of Hawai’i.
In high school, my Latino and African American classmates readily accepted me
and didn’t seem to care what I was. While most of my Caucasian
peers were equally welcoming, many didn’t quite know what to do with me. “Is
she Oriental or White?” This was clearly an issue for some. They’d
ask me dumb questions and at times make racist jokes not thinking I’d be
offended. I knew a girl in high school who used to call my mother “Mrs.
Miyagi”. (At least she got the ethnicity right).
When I started university, I decided to study literature and began reading books
by people who felt marginalized and who were starting to define themselves on
their own terms. I began to meet other Asians, particularly Filipinos, and I
got involved in a local Filipino theatre group, Pintig. There I met
many dedicated cultural activists who inspired me with their strong sense of
identity and their passionate desire to sustain their culture in the States. |
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My
work at Pintig led to a friendship with
Larry Leopoldo who shared my interest in starting
an Asian American arts magazine. Over coffee in a
café, we decided that the focus of our magazine
would be works “by and about Asian Americans” and
we named it riksha. When we put the call
out for submissions, we began to realize that there
were lots of people out there making their art, sharing
their stories and starting to connect with each other.
They all needed more exposure. |
| Cover of riksha magazine's
first issue |
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Over the next few
years, riksha lived through
many incarnations. Through the hard work of talented
people like Larry, along with Alex Yu, Patty Cooper
and Ed Eusebio (and numerous others), riksha published
several magazines and held a variety of performances
and exhibits in local cafes, art galleries and clubs. riksha collaborated
with many organizations and helped to contribute to the
dialogue that had started about what it meant to be Asian
American.
Following university, I went to live in Hawai’i for a few years. I’ll
never forget the first time I met some local writers/publishers. I started blathering
on about the Asian American movement and they just stood there with blank expressions. “Asian
American?” one of them asked (he was local Chinese). Then he just chuckled
like he’d heard it all. What I later realized is that not everyone lives
in a hyphenated world. And there are places, even in the States, where Asians
are the majority and don’t feel the same sting
of racism as on the mainland.
Of course, Hawai’i is not perfect and there are plenty of race issues to
contend with there too. Just ask the Native Hawaiians. But it is a place where
Japanese Americans, and other Asian Americans, have been at the top of the social
hierarchy for years now and it’s also a place where hapas like
me (half-White, half any other race) fit in easily. I am ordinary there and being
ordinary is a welcome reprieve.
While living in Hawai’i and spending time with
my aunt and uncles, I discovered more about my family
history. My grandfather, Ryoji Sumida, born in Hiroshima,
left Japan as a young man in the early 20th century in
search of work prospects in Brazil. When his ship docked
in Hawaii, he and his brother decided to stay in the
islands. No doubt it reminded him of his native city
(something I realized on a recent trip to Hiroshima).
On the Big Island, my grandfather, who was a fisherman
by trade, started a business enterprise that would grow
into a general store, a fishcake factory and a restaurant,
among other endeavors.
When Japan bombed Pearl Harbor in 1941, martial law was
declared and it was not long before the FBI started rounding
up and interrogating prominent Japanese Americans. My
grandfather was detained in Hilo and only through the
help of a friend, an attorney who had been living in
Hilo for many years, was he released after six long months.
I had the opportunity to correspond with the attorney
turned judge, Martin Pence, before he died. What
struck me most was his willingness to step forward at
a time when loyalties were being questioned. Of course,
Judge Pence didn’t think of himself as extraordinary;
rather he simply felt that an injustice has occurred
and he needed to do something about it. My grandfather
never forgot Judge Pence’s efforts on his behalf
and my mother tells the story of the delivery of “special
catches of the day” to Judge Pence
for years following the war. A small gesture from a
grateful man.
My grandfather died when I was ten years
old and my memories of him are hazy now. On a shelf
at home where I place special mementos, I often look
at the photographs of him. One is with my 2-year old
self in his lap and another is with him and several
family members and employees in his general store.
He was a stoic and practical man with his own children,
but with us (his grandchildren), he was an altogether
lighter person, quick to smile and play and who expressed
his love through walks holding hands and naps curled
up close. My mother told me that he would “light
up” whenever my sister and I would visit him.
He was a man who, despite his hardships and sacrifices,
which included surviving the devastation of two tsunamis
in Hilo, lived his days with a sense of gratitude and
generosity that touched all who knew him. |
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As
I became more grounded in my family history, it became
somewhat easier to deal with the more prickly aspects
of being Japanese. While I had read about Japan’s
atrocities during the war, learning to deal with
it firsthand was another story. I remember my first
encounters with friends whose families had been affected
by Japanese occupation. Their stories were awful
and I was often stunned and shamed into silence.
I could tell that they felt badly telling me but
they seemed driven by a need to tell someone, someone
Japanese, and to be heard. As time went on, I found
myself apologizing after these encounters. Perhaps
it seems odd to apologize for something so removed
from my own personal experience. But somehow, it
just seemed like the right thing to do.
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| The author as a child pictured
here with her grandfather Ryoji Sumida |
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I remember one day,
when I was first dating my now husband (who is Filipino/Chinese),
I met the aunt of my father-in-law who had immigrated to Chicago many years ago.
She proceeded to tell me the horrific tale of her husband’s murder by imperial
soldiers in the Philippines and how she was left to raise her small children
on her own. The details of her story were so vivid, as if she had experienced
the loss only a short time ago, and her emotions were still raw. I knew she didn’t
blame me personally but she needed me to hear her and, for a moment, feel the
discomfort of her tragedy. She held my hand as she told her story and I felt
a small reconciliation take place. This is a burden that we Japanese carry, but
it’s also an opportunity, a chance to extend our compassion and interrupt
the cycle of pain that continues to this day.
After living in Hawai’i, I traveled and lived in different places and later
decided to come back to Chicago. I returned to study and became a clinical social
worker. I currently work with children and families in an outpatient mental health
center. If I can instill just a bit of hope or offer assistance to cope with
a difficult situation, well then, it’s been a good day. And what I learn
from the people I’ve met only reinforces my belief in resiliency and, ultimately,
gratitude for the simple things, an awareness instilled in me at a very young
age by a very wise man.
Over the years, my involvement in the Asian American arts has diminished in favor
of other pursuits, but I continue to support the community. The loose collective
of riksha members continue to talk about what we might offer in the
future. Times have changed and organizations like riksha are needed
less in a world where our artists and writers know how to promote themselves
in expedient ways, but we’ll keep the dialogue going and see where it takes
us… |
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Nicole Sumida is co-founder and former publisher of riksha,
a magazine dedicated to promoting artistic and literary
works by and about Asian Americans. Information
about the magazine can be found at www.riksha.com.
Published in March of 2007
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This article is featured on the Community
forum section of the Discover Nikkei Website: http://www.discovernikkei.org/forum/en/node/1587
Please share your comments and thoughts on this
article!
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